![]() So naturally, we first think of windows that allow light into a room. Window light is the term used in general for light that’s entering a space. This helps to diffuse the light, which in turn reduces the harsh directness of the effect.Īs you gain confidence try combing a back filter with a flash or external light source to even out the contrast in brightness between the dog and the background. Flash and Filtersĭon’t be afraid to filter strong light through features such as trees or tall grass. Again, have fun and play around to see what you like most. This gives different results and can introduce interesting effects such as light rays, haze, or flare. Play around with the position of your pooch relative to the sun such as directly in front, to left or right, above or below. If the photo is too bright or too dark overall then you either need to use manual exposure or use the exposure compensation setting to adjust the brightness to get the desired effect. This makes the settings less challenging for you to retain some of the background detail when photographing closer to sunrise and sunset. Whereas the former is extremely bright in relation to your subject, the latter is more forgiving. The full midday sun is harsher than that of early morning or late evening. This is largely a matter of practice, and after a while, you’ll get the hang of the necessary exposure adjustments to make. With dogs, in my experience either photograph in manual or with aperture priority and then adjust the exposure to compensate. ![]() However, this doesn’t work so well with dogs, unless they are the equivalent of 18% grey, which is what the camera evaluates the scene on. Now, if you were photographing people, you have the advantage of being able to utilize metering mode set to a spot on their face. Focus in on your dog’s eyes as the area you want to be sharpest. The basic idea is to place the subject (aka your dog) with the light behind them. This places their face in shade as they look toward you. It hinges on the subject of the photograph being in the foreground with the light (usually the sun) behind them. You know that tense moment in a horror movie when a monstrous shadowy shape emerges out of the sun….Well, this is backlighting used for dramatic effect. My inspiration and tips for stunning effects working in natural light – Backlighting, Window Light, Bokeh and Starbursts.
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